Mémoires de Balthus PDF

Balthus, was a Polish-French modern artist. He is known for his erotically charged images of pubescent girls, but also for the refined, dreamlike quality of his imagery. Throughout his career, Balthus rejected the usual conventions of mémoires de Balthus PDF art world.


Ce sont ici les ultimes paroles de Balthus, proférées au terme d’une vie qui a traversé le XXe siècle. Elles ont été murmurées dans un souffle qui peu à peu allait s’amenuisant et parvenait cependant à être dominé par la jeunesse des souvenirs demeurés intacts. Balthus raconte son enfance avec sa mère Baladine et le poète Rainer Maria Rilke, sa vie de bohème dans le Paris des années 20, ses amitiés avec Picasso, Derain, Artaud, Giacometti, Saint-Exupéry, Char, Pierre Jean Jouve, Camus. Il parle de ses tableaux, de son amour pour Setsuko, son épouse japonaise, pour Harumi, sa fille, pour ses chats, pour les demeures seigneuriales. Il confesse sa foi catholique, ses extases, confie surtout ses réflexions sur la peinture, et dénonce l’art contemporain, illusoire et annonciateur, selon lui, de la défaite de la civilisation. Ces Mémoires sont le fruit d’un travail qui a duré deux années au cours desquelles Balthus s’est confié avec une rare spontanéité. Il voulait qu’on les comprît comme des leçons de vie, le dernier enseignement d’un maître qui avait préféré exprimer le monde par sa peinture plutôt que de s’exprimer lui-même. Alain Vircondelet qui a recueilli ces Mémoires, est universitaire, écrivain et biographe de figures majeures de la littérature, de l’art et de la spiritualité parmi lesquelles Marguerite Duras, Blaise Pascal, Albert Camus, Antoine de Saint-Exupéry, Arthur Rimbaud. Des propos mis en forme dans une langue limpide et magnifiquement recueillis par Alain Vircondelet. Esprit.

He insisted that his paintings should be seen and not read about, and he resisted any attempts made to build a biographical profile. BEGIN: BALTHUS IS A PAINTER OF WHOM NOTHING IS KNOWN. NOW LET US LOOK AT THE PICTURES. Balthus was born in Paris, in 1908, to Polish expatriate parents. His given name was Balthasar Klossowski – his sobriquet « Balthus » was based on his childhood nickname, alternately spelled Baltus, Baltusz, Balthusz or Balthus.

His father, Erich Klossowski, was an art historian who wrote a noted monograph on Honoré Daumier. Russian Jews who had emigrated to East Prussia. Overall, Balthus had an idyllic memory of these early childhood years, which were disrupted when the first world war forced the family to leave Paris in 1914, shortly after the war began, in order to avoid deportation due to their German citizenship. They settled in Switzerland, near Geneva.

In 1917 his parents separated, and his mother moved with the two boys to Geneva. They lived in a modest flat at 11, rue Pré-Jérôme, a comfortable neighborhood. About a year later his mother became the lover of Rilke. At Christmas of 1921, Baladine, financially destitute, moved to Berlin with her children in order to live with her brother. In 1926 Balthus visited Florence, where he copied many frescos by the Renaissance master Piero della Francesca. From 1930 to 1932 Balthus lived in Morocco.

In 1933 he moved to Paris, taking a studio in the Rue de Furstemberg. Later he would move to another studio at the nearby Cour de Rohan. Balthus showed no interest in modernist styles such as Cubism. Early on his work was admired by writers and fellow painters, especially by André Breton and Pablo Picasso. In 1937 he married Antoinette de Watteville, who was from an influential aristocratic family from Bern. He had met her as early as 1924, and she was the model for the aforementioned Cathy Dressing and for a series of portraits.

New York City, he cultivated the image of himself as an enigma. In 1977 he moved to Rossinière, Switzerland. Grand Chalet in Rossinière in 1999. Prime ministers and rock stars alike attended his funeral.